Monday, September 22, 2014

Klinghoffer Protest: What should the Main Focus Be? Who is funding Klinghoffer Met Opera? Why “anonymous”?

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Please read this post before the Protest if you can. Even skim it.  Thank you. Robin Ticker http://shemittahrediscovered.blogspot.com/2014/09/debate-main-focus-klinghoffer-protest.html

On Mon, Sep 22, 2014 at 10:48 AM, Marvin Belsky <marvinsbelsky@gmail.com> wrote:

Is Saudi Money Behind the Met Opera's Anti-Semitic Pro-Terrorist Death of Klinghoffer Production?

June 15, 2014 by  20 Comments

Daniel Greenfield, a Shillman Journalism Fellow at the Freedom Center, is a New York writer focusing on radical Islam. He is completing a book on the international challenges America faces in the 21st century.


Saudi_Minister_of_Petroleum_and_Mineral_Resources_Ali_Al-Naimi

American oil companies used to sponsor a lot of cultural programming. As the Saudis nationalized and began to take control, that has shifted.

The Saudis are not big opera buffs, but their regime spreads anti-Semitism around the world. And the Metropolitan Opera's current decision to mount The Death of Klinghoffer, a widely denounced anti-Semitic modern opera in a season packed with productions that are rarely less than a century old, is a curious aberration.

The Metropolitan Opera's manager Peter Gelb is predicting bankruptcy in two years as the Met has blown through a fortune, for example spending $169,000 on a poppy field used as opera scenery.

The Met is incapable of budgeting and its needs money badly.

Saudi Petroleum International is a local arm of Saudi Aramco and a significant donor to the Metropolitan Opera. The Saudi Minister of Petroleum, Ibrahim Al-Naimi, has even been listed on occasion as a principal sponsor.

The Met has increasingly been making its money from digital broadcasts, rather than theater performances, making it more reliant on international audiences. Its "Live in HD" digital broadcasts go out to countries such as Lebanon, Morocco,  as well as to Dubai.

The HD business has become the Met's bread and butter and like a lot of the luxury trade, it's looking for a cut of the gushing wells of oil money from nouveau riche sheiks and princes.

Catering to their bigotry is not the classiest way to get it, but it certainly has a history of working.

The Metropolitan Opera's high-definition cinema broadcast series is about to make another foray into the Middle East…

An Egyptian-born businessman, Mahmoud M. Abdallah, who sits on the Met's board, helped broker the agreement with the National Cultural Center… The HD season begins on Oct. 9 with Wagner's "Rheingold," the first installment of the company's new "Ring" cycle.

Like most of the American entertainment and culture institutions, the Met is increasingly looking abroad. The Death of Klinghoffer may strike American audiences, not to mention the Klinghoffer family, as hateful and exploitative, but it's just adding more noise into the culture of anti-Semitism that has been so successfully cultivated in Europe and the Middle East.

The Metropolitan Opera is looking to profit from bigotry in the Middle East and Europe. It's not the first cultural organization to discover that anti-Semitism sells tickets.




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Sincerely,

Robin Ticker
Activist emails sent to my list  are L'Ilui Nishmat Yisrael ben David Aryeh ob"m (Izzy - Kaplan) and Howard Chaim Grief great activists and lovers of Eretz Yisroel, Am Yisroel and the Torah. Yehi Zichronum Baruch.  May their memories serve as a blessing.

Most of these emails are posted on Shemittahrediscovered.blogspot.com 

Personal emails to individuals will not be posted to my blog. 
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